本節目為2024艋舺國際舞蹈節Open Call入選節目之一
Sketch Series 1 was selected as part of the Open Call Program of 2024 Want To Dance Festival.
主辦單位：曉劇場
贊助單位：文化部、臺北市政府文化局
本節目共同主辦：臺中市政府文化局
Organizer: Shinehouse Theatre
Sponsor: Ministry of Culture, Department of Cultural Affairs, Taipei City Government
Co-organizer: Cultural Affairs Bureau, Taichung City Government
For more information
艋舺國際舞蹈節官網
For Tickets
Opentix 系統
速寫系列1 《近他方，在見與不見的地理》Sketch Series 1｜The Near Elsewhere, in the Geography of Seeing and Not Seeing
演出時間及地點：
2024.04.20 | 15:50 華江整宅天橋
2024.04.21 | 14:30 艋舺公園廣場
概念：陳柏潔
共同發展、演出：陳柏潔、陳鈺分
作品長度：約15-20分鐘
Performance Date/Place:
2024.04.20 | 15:50 Huajiang House Overpass
2024.04.21 | 14:30 Bangka Park – Square
Concept: Po-Chieh CHEN
Co-development and Interpretation: Po-Chieh CHEN, Yu-Fen CHEN
Duration: approximant 15-20 minutes
「速寫系列」是由編舞家陳柏潔和設計師陳鈺分共同發展與演出的跨媒材創作研究與實踐，並主要以非典型空間作為展演場域，透過肢體、物件與現地環境共構為作品的舞台。
2024年推出速寫系列的第一部作品《近他方，在見與不見的地理》（Sketch Series 1｜The Near Elsewhere, in the Geography of Seeing and Not Seeing），創作者欲透過作品探視內在心靈旅程與現實生活中的平行和交錯，在介於虛構與真實的地理當中流動與探索，提問「何處，是他方？」。
《近他方，在見與不見的地理》期許在非語言、非線性的演繹下，開展不同觀者的共感，賦予各自譜寫關於自我的探問與詮釋。
“The Sketch Series” is a collaborative development of cross-media creative research and practice by choreographer Po-Chieh Chen and designer Yu-Fen Chen. The series primarily utilizes atypical spaces as performance sites, constructing the stage through the interplay of movement, objects, and the environment.
In 2024, the first of “The Sketch Series”, titled “The Near Elsewhere, in the Geography of Seeing and Not Seeing” was launched. Through this work, the artists aim to explore the parallel and intersecting realms of internal spiritual journeys and real-life experiences. Through this work, the artists aim to explore the parallel and intersecting realms of internal spiritual journeys and real-life experiences. Flowing and navigating within the geography between fiction and reality, and posing the question, Where is the “Elsewhere”?
“The Near Elsewhere, in the Geography of Seeing and Not Seeing” aspires to evoke resonance among diverse viewers through non-verbal and non-linear interpretations and to endow each viewer with the imagination to compose their own inquiries and interpretations about the self.