【演出資訊】
臺中國家歌劇院 小劇場
2026年7月3日（五）19:30
2026年7月4日（六）14:30 & 19:30*每場皆有演後座談
Performance Dates
Black Box, National Taichung Theater
July 3rd, 2026 | 19:30
July 4th, 2026 | 1430 & 19:30演出全長約50分鐘，無中場休息
Duration: approximant 50 minutes/ without intermission
2026 熔點計畫 2026 Melting Point Project
藝術報國於2026年啟動首屆「熔點計畫」，以實驗精神開啟創作者間的深層對話。
本次演出推出兩部全新作品：藝術總監陳柏潔的《在命名之前》，透過肢體、文字與影像交織，揭開創作初期自我探索、質疑與推翻的思辨過程；特邀編舞家董怡芬的《對話關係》，採「講演式」表演形式，由陳柏潔以身體為載體，將生命記憶與抽象關係轉譯為具象的劇場拼貼。雙舞作共同激盪出藝術探索的多元視角。
Ars Association launches the inaugural “Melting Point Project” in 2026, fostering deep dialogue between creators through an experimental lens.
The program features two new works：
• “Before It Begins” by Artistic Director CHEN Po-Chieh is a multidisciplinary piece weaving dance, text, and video to unveil the internal struggle of self-discovery, doubt, and deconstruction during the early stages of creation.
• “In Dialogue” by guest choreographer TUNG I-Fen is a lecture-performance interpreted by CHEN Po-Chieh, who uses the body as a vessel to translate fragmented memories and abstract relationships into a tangible theatrical collage.
Together, this double bill ignites diverse perspectives in contemporary artistic exploration.
創作暨製作團隊
藝術總監：陳柏潔
製作人：陳鈺分
創 作：陳柏潔、董怡芬
演 出：陳柏潔、許庭瑋
空間設計：陳柏潔
音樂設計：林謙信
服裝設計：黃稚揚
燈光設計：簡芳瑜
技術統籌：田子平
技術執行：牧羊人科技藝術
視聽技術：巨立音響
主視覺設計：小氣分分
主辦暨製作單位：藝術報國
共同主辦：臺中市政府文化局
※本計畫為115年度臺中市傑出演藝團隊計畫演出
｜Artistic & Production Team｜
Artistic Director｜CHEN Po-Chieh
Producer | CHEN Yu-Fen
Choreographer | CHEN Po-Chieh, TUNG I-Fen
Performer: CHEN Po-Chieh, HSU Ting-Wei
Stage Design: CHEN Po-Chieh
Lighting Design: CHIEN Fang-Yu
Sound Design: LIN Chien-Hsin
Costume Design: HUANG Chih-Yang
Technical Director: TIAN Zi-Ping
Technical Coordination: Shepherd Technology Art
Sound Engineering | Giant Group Co., Ltd.
Visual Design | xiao chi fen fen
Organizer: Ars Association
Co-organizer | Cultural Affairs Bureau , Taichung City Government
〉This project is part of the 2026 Taichung Outstanding Performing Arts Groups Project.
《在命名之前》Before It Begins
· 創作：陳柏潔
· 演出：陳柏潔、許庭瑋
創作最迷人之處，往往不在於最終的答案，
而是誕生前那段深不見底的寂靜。
編舞家陳柏潔直面創作初期那份尚未定義的內在空間，將舞台化為思維的實驗場，置身於「未命名」的縫隙中，展開一場持續未完的自我辯論。作品以舞蹈為核心語言，結合影像與文字構成思緒的裂縫，交織出第一人稱的自省與旁觀者的凝視。
“Before It Begins“
Choreographer | CHEN Po-Chieh
Performer | CHEN Po-Chieh, HSU Ting-Wei
The beauty of creation often lies not in the final answer, but in that profound silence and inquiry that precedes birth.
Choreographer CHEN Po-chieh confronts the undefined inner space of the early creative process, transforming the stage into a laboratory of thought. Positioned within the cracks of the “unnamed,” she unfolds a continuous, unfinished debate with the self.
With dance as its core language, the work integrates video and text to form fissures of thought, weaving together first-person introspection and the observer’s gaze. Before any definition takes hold, it honestly reveals the yearning for the unknown and the iterative process of speculation and subversion that defines the creative journey.
《對話關係》In Dialogue
· 創作：董怡芬
· 共同發展、演出：陳柏潔
一場關於記憶、時代與重逢的身體敘事
由特邀編舞家董怡芬與陳柏潔攜手打造，《對話關係》是一部融合身體敘事與「講演式劇場」（Lecture Performance）的實驗新作。作品以口述歷史為引，回訪陳柏潔成長過程中的記憶，凝視個體在環境變遷下的細微感知。這不僅是兩位創作者睽違多年的友誼重構，更是一場將個人生命檔案與時代場景重新拼貼的詩性生成。陳柏潔以身體為載體，將生活碎片與身分轉變的關鍵字，轉譯為具象且充滿張力的劇場風景。在這場穿梭於現實與想像、真實與虛構間的對話中，回憶填補了失聯的時空，遺忘則成為重新理解的契機。
“In Dialogue“
Choreographer | TUNG I-Fen
Co-development, Performer | CHEN Po-Chieh
A Body Narrative of Memory, Eras, and Reconnection
Collaborated by guest choreographer Tung I-fen and Chen Po-Chieh, In Dialogue is an experimental new work that fuses physical narrative with Lecture Performance. Using oral history as a guide, the piece revisits the memories of Po-Chieh’s upbringing, gazing at the subtle perceptions of an individual amidst environmental shifts.
More than just a reconstruction of a long-standing friendship after years apart, this work is a poetic assembly that collages personal life archives with the backdrop of the era. Using the body as a medium, Po-chieh translates fragments of daily life and keywords of identity transformation into a concrete, tension-filled theatrical landscape.
In this dialogue—navigating the spaces between reality and imagination, truth and fiction—memory fills the void of lost time, while forgetting becomes the very catalyst for a newfound understanding.
主要創作者
陳柏潔｜《在命名之前》編舞家
現任雙人創作組合「藝術報國」共同創辦人暨藝術總監，從事創作、表演、教學與策展。
她以「身體」為核心語彙，透過敏銳的感知與深層的身體語言，形塑獨特的舞蹈美學。其「一體化創作」方法，將舞蹈、影像、物件、場域與多元媒材自然交織，發展出跨域且有機流動的藝術結構。她的創作精神源於對身體與本質的探問，並延伸至個人歷史、生命經驗與社會意識的觀察與反思。作品風格與類型多元，橫跨舞蹈、肢體劇場、歌劇等領域，足跡遍及劇場空間及特定場域。
Po-Chieh CHEN is the Artistic Director of the creative duo Ars Association, working across creation, performance, teaching, and curatorial practice.
Chen’s work centers on the body as her primary artistic vocabulary. Through acute sensory awareness and deeply rooted physical expression, she shapes a distinctive dance aesthetic. Her practice of “integrated creation” weaves together dance, video, objects, spatial environments, and diverse media, forming an organic artistic structure that flows across disciplines and mediums. Her artistic spirit emerges from an inquiry into the body and its essence, extending toward reflections on personal history, lived experience, and social consciousness.
Her creations span a wide range of forms, including dance, physical theatre, and opera, presented across traditional theatres and site-specific performance spaces.
董怡芬｜《對話關係》編舞家
舞蹈工作者，跨足舞蹈編創、演出、動作設計及策展。其創作實踐根植於人性、社會與自然的交織動能，並擅長於舞蹈、劇場、電影、當代音樂與科技藝術等多元語境中進行跨領域探索。她著迷於「人」在環境中的趨性與動向，透過不設限的創作方法，讓人性於社會中的奇想得以發聲。
近年積極投入表演藝術推廣與媒合，參與創立「身體聚會所」平台，促進年輕藝術家與跨領域同儕間的交流學習，並多次擔任大型公共藝術節與文化活動之表演策劃統籌。現任臺北市立大學舞蹈學系專任講師及「軟硬倍事」聯合藝術總監。
TUNG I-fen’s work spans choreography, performance, movement direction, and curation. Her artistic practice is deeply rooted in the intersecting dynamics of humanity, society, and nature. She excels in cross-disciplinary exploration, navigating diverse contexts including dance, theatre, film, contemporary music, and tech-art. Driven by a fascination with human tendencies and movements within their environments, she employs unrestricted creative methodologies to give voice to the whims of humanity within social structures.
In recent years, she has been actively dedicated to the promotion and mediation of the performing arts. By Participating in the initiation of the “Dance Park” platform, she fosters interdisciplinary peer learning and exchange among young artists. She also frequently serves as a performance curator and coordinator for major public arts festivals and cultural events. Currently, she is a full-time lecturer in the Department of Dance at the University of Taipei and the Co-Artistic Director of Fist & Cake Production.
攝影：林育全
表演者
許庭瑋｜《在命名之前》舞者
彰化花壇人，國立臺北藝術大學舞蹈系畢業，現就讀國立臺灣體育運動大學舞蹈系碩士班。
921⼤地震那年，為安撫國⼩學⽣受創⼼靈，縣府決議將輔導課改為舞蹈 課，許庭瑋找到熱情之所在，從此踏⼊表演藝術領域，進⼊青年⾼中舞 蹈科、國⽴台北藝術⼤學舞蹈系，學業完成後因嚮往⾃由創作，加⼊布 拉瑞揚舞團擔任全職舞者。
2018年為尋找⾃⼰重新出發，回故鄉彰化發起《⽇⽇借駐》計畫。並於2021年成立「日日製作舞團」，期望「藝術融入生活，生活創造藝術。」將親身體驗與勞動參與至社會田野中，以沒有形式限制的藝術導向融入生活中，拉近「藝術與生活」。
2022年曾擔任金門縣駐縣藝術家發表《未唱讀的》，2024-2025年獲選為彰化縣員林演藝廳駐館團隊，透過研究濁水溪田野踏查的過程，陸續發表創作《落濁》及《落來》。
2025年獲選為「2025年度大人物」(TNL Mediagene Company- Becoming Aces Award)。
