藝術報國 Ars Association

雙人創作組合，在當代表演藝術前線，探問與實踐。

分類: Works

艾拉 – 第一次造訪 Ayla -The First Visit

Ayla – The First Visit

2022演出場次

  • 首演 – 2022/10/1 ｜ 虎尾同心公園
    2022 雲林國際偶戲節
  • 2022/11/19｜ 桃園展演中心前廣場
    2022 桃園鐵玫瑰藝術節
  • 2022/12/10、2022/12/11 ｜衛武營榕樹廣場
    2022 衛武營馬戲平台

2022 Tour Date

  • Premiere – 2022/10/1
    2022 Yunlin International Puppet Theater Festival
  • 2022/11/19
    2022 Taoyuan Iron Rose Festival
  • 2022/12/10、2022/12/11
    2022 Weiwuying Circus Platform

《艾拉 – 第一次造訪》Ayla – The First Visit (2022)

「我們要為未來留下什麼？」

艾拉 (Ayla)，是一名來自未來的小學生。她的個性活潑又充滿自信，腦袋裡頭總是充滿各種天馬行空的想像，更熱愛認識新朋友和探索各種事物！這次，她啟動的探索計畫，是一項關於過去的歷史人文田野調查，選擇穿越時空來到2022年的臺灣。在這裡她將會拜訪城市與山林，和當地人們交朋友，將所見所聞 ，與未來世界的同學們分享。

艾拉的田野調查 Ayla’s notebook

深度專訪 (中文)

Artist Interview (EN)

“Ayla – The First Visit ”is a new production by Ars Association (Taiwan). It’s a contemporary outdoor puppetry performance invited by Weiwuying National Kaohsiung Center for the Arts, and co-produced by 2022 Taoyuan Iron Rose Festival and 2022 Yunlin International Puppet Theater Festival.

Ayla is a primary school student from the future. She is outgoing and confident, with all kinds of wild ideas in her mind. She also like to meet new friends and explore the world. She initiates an exploration project about history and culture in the past. That’s why she goes back in time to Taiwan in 2022. In this trip, she will visit cities and nature, make local friends, and present what she learns afterwards to her classmates.

紀錄片 Documentary

概念影片 Concept Film

製作名單 Production List

概念發展暨編導 Concept, Direction & Choreography
/ 陳柏潔 CHEN Po-Chieh

概念發展暨戲偶設計 Concept & Puppet Design
/ 陳鈺分  CHEN Yu-Fen

艾拉筆記本圖文創作 Illustration of Ayla’s notebook
/ 陳鈺分  CHEN Yu-Fen

結構顧問  Mechanic Consultant
/ 陳威宇 CHEN Ｗei-Yu

戲偶製作 Puppet Sculpture
/ 曲線空間藝術有限公司 Curve Art Space Co., Ltd.，陳坤成 CHEN Kun-cheng、李信學 Li Hsin-Hsueh、 陳家宏 CHEN Chia-Hung

音樂設計 Music Design
/  林謙信 LIN Chien-Hsin

服裝設計 Costume Design
/ 林俞伶 LIN Yu-Ling

表演者 Performers
/ 古品杰 KU Pin-Chieh、廖思瑋 LIAO Szu-Wei、黃婷徽 HUANG Ting-Hui、許瀞文 HSU Ching-Wen

協同演出(桃園場) Guest Performers (Taoyuan)
/ 雅緻藝術舞蹈團 Ya-Zhi Dance Company

製作單位 Production
/ 藝術報國 Ars Association

共同合作單位 Collaborators
/ 藝術報國 Ars Association、國家表演藝術中心衛武營國家藝術文化中心 National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying)、2022桃園鐵玫瑰藝術節
2022 Taoyuan Iron Rose Festival、雲林縣政府 Yunlin County Government


法律顧問 Legal Counsellor
/ 翰廷法律事務所 Hen Ten Law Office, 黃秀蘭 HUANG Shiu-Lan

製作人 Producer
/ 陳柏潔 CHEN Po-Chieh

技術統籌 Technical Director
/  林汝珊 LIN Ju-Shan

技術執行 Technical Crew
/ 吳映徹WU Ying Che、蘇筱筠 SU Xiao Yun、施雅玲 SHI Ya Lin

執行製作 Executive Producer
/ 簡姵伽 Angelina JIAN

主視覺設計 Graphic Design
/ 曾子倢 TSENG TZU-Chieh  

影像紀錄 Video Documentary
/ 陳韋勝 CHEN Wei-Seng

平面攝影 Photography
/ 林峻永 LIN Chun-Yung  

特別感謝 Special Thanks
/ 耿一偉老師 KENG Yi-Wei、Rebecca老師 Teacher Rebecca 、詹佳惠老師  CHAN Chia-Hui、   陳俐穎老師 CHEN Li-Yin、張思菁老師 CHANG Szu-Ching、王智堉先生  WANG Zhi-Yu、衛武營國家藝術文化中心（設備支持） National Kaohsiung Center for the Arts (Equipment Support)、臺中萬春宮 Taichung Lan Shing Wan Chuen Gung、臺中藍興福德祠  Taichung Lan Shing Lord of Land Temple 、鹿港龍山寺 Lugan Mazu Temple 、虎尾糖廠 TaiSugar Huwei Refinery、虎尾林記蔬果汁  Huwei Lin Ji Vegetable Juice

［階段發展］在場 Possibility of Presence (Work in progress)

本作品為雲門舞集主辦之「2024春鬥」當中的「正在進行中！Work in Progress」節目之一。

“Possibility of Presence” (work in progress) is part of the SPRING RIOT – Work in Progress program organized by Cloud Gate Dance Theatre of Taiwan.

▲ 創作前期發展支持：
雲門舞集
Development Supported by Cloud Gate Dance Theatre of Taiwan

主辦單位：雲門劇場
贊助單位：臺灣集中保管結算所、臺灣證券交易所
※本計畫由國藝會藝術未來行動專案贊助

《在場》Possibility of Presence (Work in Progress)

  • 演出時間：2024年5月25、26日(六、日) 16:10-17:05 期間
  • 演出地點：雲門排練場
  • 概念、編舞、演出：陳柏潔
  • 雷射設計：田子平
  • 技術執行：牧羊人科技藝術
  • 階段發展演出長度：約12-13分鐘
  • 作品概念照：林科呈

  • Performance Date: May 25th-26th, 2024
  • Venue: Cloud Gate Rehearsal Studio
  • Concept, Choreography & Performance: Po-Chieh CHEN
  • Laser Design: Zi-Ping TIAN
  • Technical Coordination: Sheapherd Technology Art
  • Duration: approximately 12-13 minutes
  • Concept Photo: LIN Ko-Cheng

陳柏潔的獨舞作品，欲探索時間與經驗留存在身體與內心的痕跡。
2024年的作品階段發展，受「雲門舞集」邀請於「2024春鬥—正在進行中」系列節目當中呈現。完整作品將會是融合新媒體的跨域創作。

Po-Chieh Chen’s solo dance work aims to explore the traces of time and experience left within the body and the inner self.

Invited by the Cloud Gate Dance Theatre of Taiwan, as part of the “2024 Spring Riot – Work in Progress” series program.

The full composition of Possibility of Presence is an artistic creation that integrates dance and new media art.

【創作筆記 Artist’s Note】

2024-05-23
文／陳柏潔
Written by Po-Chieh CHEN

《在場》(Possibility of Presence) 的創作動機是從我個人的歷史出發，探索「我存在」的狀態。在不同的時間裡，或者現在進行式中，我身體和內心的感受都以我存在的切身感知來探索，並以一種超然的視角讓我能觀察自己。在舞蹈的結構內，對現有經歷的詮釋──關於自我認同、身份轉換、經歷的事件、靈感與啟發──被傳達出來，那些決定我是否存在的關鍵因素，涵蓋了身體和心理狀態。

《在場》2024年階段發展的版本，被邀請參與臺灣雲門舞集的「2024春鬥─正在進行中」系列節目中演出。在此版本中，我聚焦於從身體當中收集資訊和素材，嘗試不同的風格，並練習符號以及空間實驗— 以一篇個人日記的舞蹈形式來呈現。

在未來的完整作品中，這些素材預計將被解構和重構，並考慮到整體美學和氛圍的詮釋與轉換。這包括將新媒體元素融入我的舞蹈中。因此，我希望繼續在空間應用中嘗試新媒體材料，並致力於發展將編舞、視覺和裝置相互交織的創作結構。預期將會有劇場空間表演的版本，同時也希望擴展至非傳統空間的展覽和特定場所的表演。

The motivation behind Possibility of Presence is to explore the state of “I Exist” starting from my personal history as a point of departure. Across different times and perhaps in the ongoing present, the sensations within my body and my inner self are explored with a tangible sense of my presence, and from a detached perspective that allows me to observe myself. Within the structure of the dance, the interpretation of existing experiences— about self-identity, transitions between roles experienced, significant events, inspirations, and more—are conveyed. These are the pivotal factors that determine whether I exist or not, encompassing both physical and psychological states.

The developmental phase of Possibility of Presence in 2024 was invited by Cloud Gate Dance Theatre of Taiwan, as part of the “2024 Spring Riot – Work in Progress” series program. For the WIP presentation, I focused on gathering information and materials from the body, experimenting with styles, and practicing symbols and spatial experiments—presented in the form of a dance resembling a personal diary.

In future complete works, these materials are expected to be deconstructed and reconstructed, with different considerations for overall aesthetics and atmosphere. This includes integrating elements of new media into my dance. Thus, I would like to continue experimenting with new media materials (such as lasers) in spatial applications, aiming to continue developing the creative structure that intertwines choreography, visuals, and installations. I anticipate there will be a version of the theater space performance, while also hoping to extend into non-traditional spaces for exhibitions and site-specific performances.

歡迎來到我的練舞場 Welcome to My Dance Floor

Photo provided by 2022 We Island Dance Festival: Shulin Jump / Photographer: Wei-Seng CHEN

跳島舞蹈節-2022樹林跳邀演

《歡迎來到我的練舞場》Welcome to My Dance Floor

編舞者陳柏潔擁有多元的專業藝術工作經驗，包含職業舞者、藝術行政、製作人及策展人。這部作品目的在於向一般大眾分享舞蹈不同的面向，她以一位舞蹈工作者，獨自一人在排練場所經歷的回憶為出發點。將一名舞者學習的舞蹈技術和其歷經的思考過程，以講座式展演（lecture performance）淺顯易懂的方式呈現。

Choreographer Po-Chieh CHEN possesses diverse professional experience in the field of arts, including roles as a professional dancer, arts administrator, producer, and curator. The purpose of this work is to share the various aspects of dance with the general public. Drawing from her own experiences as a dance practitioner, she takes the memories and moments she has gone through in rehearsal spaces as a starting point.

Through a lecture performance, the piece aims to present the dance techniques a dancer learns and the thought processes they go through in a clear and understandable manner.