藝術報國 Ars Association

雙人創作組合，在當代表演藝術前線，探問與實踐。

分類: Team

team id=9

曾子倢 Tzu-Chieh TSENG

曾子倢 Tzu-Chieh TSENG

平面設計師 Graphic Designer

國立臺中科技大學商業設計系畢業

臺中人，喜歡劇場、搖滾樂，擅長文化類型設計，曾擔任臺中國家歌劇院美術設計、出版社書籍設計、園區立體裝置設計，現與一隻玳瑁貓在西屯區組成叫約翰藍儂的綜藝團體。

作品集 Portfolio Email

Tzu-Chieh TSENG
Graphic Designer

TSENG has been practicing visual-related works over 6 years. She has been cooperated with theaters, art museum, publishers, and multi-function park. Her creation was featured in cultural content especially program productions, exhibitions, and books.

Photo by Ars Association

臺中國家歌劇院工作經歷

2020《後青年工作坊-歌仔戲篇》主視覺、標準字、延伸設計
2019-2020歌劇院駐館藝術家 主視覺、DM、延伸設計
2019玩．劇場─青少年創意工坊 主視覺、標準字、等活動相關設計
2019歌劇院沙龍《瘋歌劇快易通》主視覺、標準字、DM、節目單設計
2019藍舞男孩《黑白灰》主視覺、海報、DM、節目單、廣告設計
2019路易霧靄劇團《小紅帽》主視覺、海報、DM、節目單、廣告設計
2018歌劇院微劇場《聲遊記》主視覺、標準字、演出DM、館內指引設計

獨立接案經歷

2022藝術報國 《艾拉 – 第一次造訪》Ayla – The First Visit 主視覺設計
2022國立台灣美術館《逐鹿之海》主視覺設計、延伸設計
2022心之芳庭《繡球花節-傑克與夢幻島》風格定調、視覺與空間設計呈現
2020緩慢金瓜石《慢一點，靈魂才會跟得上》導覽手冊設計
2019好讀出版《你懂你來說：美利堅名師大話哲學史》封面設計
好讀出版《如何使用你的眼睛》封面設計
2016立京文化《這已是我全部的愛》封面設計

黃暉祐 Hui-Yu HUANG

黃暉祐 Hui-Yu HUANG

專業音響工程師 Audio Technician
雲林人，現居台中。

  • 音響技能授課
  • 音響⼯程規劃
  • 音響系統設計、配線、校正
  • 線陣列喇叭安裝
  • 類比及數位混⾳器操作
  • 調⾳、控場 舞台收⾳及現場狀況排除
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Hui-Yu HUANG
Audio Technician

HUANG has been practicing audio-related works over 8 years. HUANG currently serves as Audio-visual Technician at the National Taichung Theater. He is also lecturer of professional sound engineering and audio-visual advisor for theater productions. 

Photo by Ars Association




工作經歷

2020至今音響技術私人聘任講師
2017至今   自由接案之現場演出、固定安裝工程音響工程師
2017至今   國家表演藝術中心臺中國家歌劇院，擔任視聽技術專員
2015-2017  創藝音樂有限公司，擔任員工，負責現場音響架設、音控
2014-2017  雲林縣金屬教室，擔任電吉他、木吉他老師以及音樂部門總監。除教授學生外，負責與音樂器材銷售、樂器檢測維修等
2013-2014  雲林縣伯利恆靈糧堂、長老教會、福氣教會，擔任電吉他、木吉他、電貝士、烏克麗麗老師
2012-2017  雲林縣雅音、爵士貓、河合樂器行，擔任電吉他、木吉他、烏克麗麗老師

特殊工作案件

2022– 磐石、玄音、以樂、穩好、愷陞、響裕、星潮、作好活動等硬體公司系統校正課程之聘任講師
– Freelancer、私人聘任音響工程人員培訓講師
– 低低老師混音工作流程之Legacy大班課活動主辦、統籌
– KingStage DSP-4080FIR音響系統處理器代言
– 陶喆、周興哲、周予天等藝人活動演出音控
2021– 南投縣跨年晚會之音響系統工程師
– 臺中展演空間「藝術報國基地」固定安裝音響工程設計、安裝、校正
– 臺中世光教會、逐光教會固定音響工程安裝、校正
– 臺中旌旗教會音場校正、音響系統工程師及音響課程聘任講師
2020– 鼓林燈光音響公司系統設計、系統校正課程聘任講師
– 虎尾科技大學、中興大學燈光音響社團工作經驗分享
– 臺中歌劇院舞監助理基礎音響課程培訓講師
– Youtuber笑哈哈LOL完美鋼琴老師衛武營演出音控
– 臺中市政府主辦之市府前廣場聖誕活動音控
2019– Voco Novo專場演出音控
– 嘉義大學爵士樂團演出音控
2018– 嘉義大學髮膠明星夢音樂劇公演Stage、RF管理
2017– 旌旗教會Talk影響力論壇演出音控
2016– 臺中歌劇院第十二夜戲劇演出音控

劉俊林 Stanley LIU

劉俊林 Stanley LIU

使用者介面設計師 Front-End Designer

15年視覺/網頁/前端之規劃設計經歷。
Front-End / Web design, Visual / Branding design,  Video / Multimedia Editing

苗栗國人，現居台灣台中市；

喜歡台中，喜歡夏天，喜歡潛水，喜歡在Google搜尋各種資訊。

有早早就發現「萬事總會跨界」
所以趁早就先跨了視覺/程式/企劃，也跨了甲方和乙方。
曾在NPO當什麼資源都沒有的乙方企劃，
跳到上市櫃企業揣摹上意來扮黑臉的甲方窗口，
變成廣告公司擔任被洗臉的乙方設計師，
再往行政法人當一個老闆安心乙方放心的甲方負責人。

最近在訓練AI，希望可以成我的高效率乙方。

Portfolio Email

Stanley LIU
Front-End Designer


LIU has been practicing information-related works over 15 years. His profession spans Front-End, Web design,Visual and Branding design, Video Editing, Multimedia and 3D Animation works.
He currently serves in Performing Arts Center- National Taichung Theater in Taiwan.

Photo by Ars Association




工作經歷

2015至今使用者介面/網頁工程師
臺中國家歌劇院《NTT TIFA》《巨人系列》《夏日系列》《節慶系列》《會員系列》網站介面及互動設計
臺中國家歌劇院《官方網站》系統需求分析及專案執行。
品牌網站及LINE OA互動設計。
2013-2015  視覺企劃
品牌網站及識別系統設計
禮賀品包裝設計
行銷推廣活動執行
2012-2013   自由設計師
主題網站設計
品牌形象企劃與設計
2010-2012  網頁設計
大甲鎮鎮瀾宮年度活動設計
品牌網站、識別及文宣品設計
2008-2010  視覺設計
台灣鋼琴協會品牌設計
主題網站設計
巷裡的幸福聽堂行銷企劃/設計
多媒體影音剪輯

簡姵伽  Angelina JIAN

簡姵伽  Angelina JIAN

表演藝術獨立製作人 Performing arts producer

畢業於加州藝術學院(CalArts) 製作人MFA學程、國立臺北藝術大學戲劇學系，也是107年度教育部公費生。

現為獨立表演藝術製作⼈，經⼿過多樣的表演藝術相關企劃、製作、⾏銷與現場執⾏。在⾳樂、劇場、藝術節、節慶活動、國際共製等等領域皆有⼯作經驗。

曾經與三缺一劇團、再拒劇團、不二擊打擊樂團、尼可樂表演藝術有限公司、圓劇團、臺灣戲曲中心、婦援會阿嬤家、臺南藝術節、C LAB臺灣當代文化實驗場、藝術報國等團隊和單位合作。

目前致力於表演藝術節目的製作，同時也探索、推廣和實現製作人的價值和專業。

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Angelina Jian
Performing arts producer

Angelina Jian is a performing arts producer based in Taiwan, with years of producing experience in musical concerts, theatrical plays, cultural events, governmental projects, and international collaboration. She holds her BFA at Taipei National University of the Arts with a major in theatre acting and MFA at CalArts School of Theater Producing program. 

Her work focuses on audience experience, development of new projects, and team management. She seeks opportunities to explore the possibilities of producing live events and expands the depth of her works.

Photo by Ars Association

張欣怡 Gwen Hsin-Yi CHANG

張欣怡 Gwen Hsin-Yi CHANG

AxE Arts Europa 獨立藝術工作者

2021年移居盧森堡，專注於當代舞蹈及馬戲之節目策劃、製作及書寫觀察，積極參與國際文化交流事務及推動洲際合作。現擔任Aerowaves歐陸青年編舞網絡之臺灣夥伴及CAN亞洲馬戲網絡核心成員；2021/2022應德國緬因茲市立劇院邀請，擔任2022德國舞蹈年會亞洲系列協同策展人。

2017-2021年於衛武營國家藝術文化中心服務，擔任國際事務組長，專司機構策略合作、舞蹈與馬戲節目規劃、國內外駐地藝術家交流培育等，並策劃臺灣舞蹈平台和衛武營馬戲平台。旅德期間，曾創立AxE Arts Management，與臺灣駐外文化事務單位及團隊合作，推動臺灣表演藝術品牌之能見度，如英國愛丁堡藝穗節臺灣季、法國外亞維農藝術節、歐洲文化之都等多個藝術節及知名場館。

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Gwen Hsin-Yi CHANG
AxE Arts Europa (LU/TW)

Acting as a bridge between Europe and Asia, Gwen is a Luxembourg-based international producer and arts manager and with over 15 years experience supporting Taiwanese and European dance artists and organizations to realize their international projects. As Head of International Partnerships at National Kaohsiung Center for the Arts (Weiwuying) in 2017-2021, she led the dance & circus production team under the direction of Artistic Director, and as curator produced Taiwan Dance Platform and Weiwuying Circus Platform. She is Aerowaves Exchange Partner and core member of CAN-Circus Asia Network. 

Photo by Ars Association

王柏偉 Po-Wei WANG

王柏偉 Po-Wei WANG

藝評人 Art critic

王柏偉，數位藝術基金會藝術總監，曾任北美館助理研究員。主要研究領域為媒介理論、當代藝術史、文化與藝術社會學、藝術/科學/科技（AST）。與人合譯有Niklas Luhmann所著《愛情作為激情：論親密性的符碼化》（台北：五南）。

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Po-Wei Wang
Art critic

Po-Wei Wang is the artistic director of Digital Art Foundation, Taiwan. His research interests include Media Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann´s Liebe als Passion: Zur Codierung von Intimität into Chinese together with Chin-Hui Chang.

Photo by Ars Association

陳柏潔 Po-Chieh CHEN

陳柏潔 Po-Chieh CHEN

藝術總監 Artistic Director

出生於高雄，現定居台中。

現任雙人創作組合「藝術報國」藝術總監。從事創作、表演、教學與策展。

畢業於美國紐約州立大學柏切斯分校舞蹈學院，主修編舞 (BFA cum laude, Conservatory of Dance, State University of New York at Purchase)，2002年以最高榮譽紐約州立大學首長獎畢業，並獲頒Bert Terborgh舞蹈獎。

於就學期間演出過多位編舞家作品，包含：曾演出過編舞家José Limón、Mark Morris、Doug Verone、Ayako Kurakake、Pascal Rioult、沈偉等多部作品，並於2002年代表Purchase Dance Corps 參加於德國杜賽道夫舉辦的Global Dance 2002，由臺、美、港、澳洲四國大學共演臺灣編舞家林懷民作品《薪傳》。並於畢業後，受邀加入紐約Elisa Monte Dance擔任專職舞者。

2004年返台後，開展藝術領域企劃、製作、策展等全方位面向，曾任職於蘭陽舞蹈團台北團、雲門2、表演藝術聯盟及臺中國家歌劇院節目企劃部與藝術教育部，從事演出製作、節目與活動策劃、藝術教育與國際交流等工作。

2021年與設計師陳鈺分共同成立「藝術報國 Ars Association」。現為表演藝術網絡發展協會(PANDA) 理事、臺灣舞蹈生態行動協會會員、亞洲製作人平台工作營 (Asian Producers’ Platform Camp) 成員，2023年獲選為湄公河文化中心 (Mekong Cultural Hub) 2024 Curated Conferences計畫成員之一。

近期創作：《歡迎來到我的練舞場》於「2022樹林跳—跳島舞蹈節」演出，2022年創作戶外大型偶戲舞蹈作品《艾拉—第一次造訪》(Ayla – The First Visit)，擔任導演及編舞，此作品由藝術報國、衛武營馬戲平台、雲林國際偶戲節及桃園鐵玫瑰藝術節共同合作推出。

2023年，啟動以肢體為主體的創作實踐，探索身體、本質、個人歷史與社會意識。2024年陸續發表新作：《發現之地》（Locus）於臺中、高雄巡演；與設計師陳鈺分共同創作及演出— 速寫系列1 《近他方，在見與不見的地理》（The Near Elsewhere, in the Geography of Seeing and Not Seeing）於「2024艋舺國際舞蹈節」發表；並受「雲門舞集」邀請於「2024春鬥—編創旅程」系列當中，發表獨舞作品《在場》(Possibility of Presence) 的階段創作呈現。2024年受邀擔任臺中國家歌劇院2024 NTT 遇見巨人―雷哈爾輕歌劇《微笑之國》動作設計暨指導。2025年推出新作品《舉起手指向星辰》(The Other Among Us)、《在場》、速寫系列1《近他方，在見與不見的地理》（劇場版）以及《艾拉》系列演出。

陳柏潔2 攝影林科呈
陳柏潔 (攝影 / 林科呈)

Po-Chieh CHEN
Artistic Director

Born in Kaohsiung and currently based in Taichung, Po-Chieh Chen is an interdisciplinary artist whose practice spans creation, performance, curation, and teaching. She is currently the Artistic Director of Ars Association

Chen graduated cum laude from the Conservatory of Dance at the State University of New York, Purchase College, majoring in Dance Composition. During her time in New York, she received the SUNY Chancellor’s Award for Student Excellence and the Bert Terborgh Dance Award. She performed in works by renowned choreographers, including José Limón, Mark Morris, Doug Varone, Ayako Kurakake, Pascal Rioult, Thang Dao, and Shen Wei. In 2002, she represented the Purchase Dance Corps at the Global Dance 2002 Festival in Düsseldorf, performing Legacy by Lin Hwai-min. Following her graduation, she joined Elisa Monte Dance (New York) as company dancer.

After returning to Taiwan in 2004, Chen expanded her career into arts programming, production, and curation, working with Lan Yang Dance Theatre, Cloud Gate 2, and the Performing Arts Alliance (PAA). In 2015, she joined the National Taichung Theater (NTT) as Assistant to the Artistic Director, later serving as Associate Manager of the Creative Engagement Division. Her role involved curatorial development, arts education initiatives, international cultural exchange, and the production of interdisciplinary programs.

In 2021, Chen co-founded Ars Association with designer Yu-Fen Chen, focusing on body-centric creative practices that explore personal history, social awareness, and the body’s essence.

Recent works include Welcome to My Dance Floor (2022), premiered at the We Island Dance Festival: Shulin Jump, and Ayla – The First Visit (2022), co-produced by Ars Association, Weiwuying Circus Platform, Yunlin International Puppet Theater Festival, and Taoyuan Iron Rose Festival. In 2024, she created Locus, touring in Taichung and Kaohsiung, and Sketch Series 1: The Near Elsewhere, in the Geography of Seeing and Not Seeing, co-created with Yu-Fen Chen and premiered at the 2024 Want to Dance Festival. She also presented work-in-progress Possibility of Presence at Cloud Gate Dance Theatre’s Spring Riot. Additionally, Chen was invited to serve as Movement Designer and Coach for Das Land des Lächelns (The Land of Smiles) at the National Taichung Theater (NTT) in 2024.

In 2025, her new works will be presented, including The Other Among Us, Possibility of Presence, Sketch Series 1: The Near Elsewhere, in the Geography of Seeing and Not Seeing (Theater Version), and the Ayla series.

Chen is actively involved in the international performing arts community as a Board member of the Performing Arts Development Network Association (PANDA) and a member of the Asian Producers’ Platform (APP). She is also part of the Taiwan Dancing Forward Collective and was selected for Mekong Cultural Hub’s 2024 Curated Conferences Project.

PROFESSIONAL EXPERIENCE

2024Movement Design & Coaching for Das Land des Lächelns by Franz Lehár (presented as part of the 2024 NTT Fall for Great Souls), commissioned by the National Taichung Theater, directed by Wang Chia-Ming, and produced by Shakespeare’s Wild Sisters Group.
Curator, Miaoli Diam eˋ Fringe Festival (Organized by Miaoli County Government and Culture and Tourism Bureau, Miaoli County)
2022Curator, 2022 Art Creation Project (Organized by Ars Association)
2021-Co-founder, Ars Association
2019-2022Associate Manager, Creative Engagement Division of Arts Education Department, National Taichung Theater
2015-2019Programming Associate, Programs & General Planning Department, National Taichung Theater
2015-2016Assistant to Executive and Artistic Director, National Taichung Theater
2009-2014Project Manager, Performing Arts Alliance
2007-2009Project Planner, The Eslite Corporation
2004-2007Project Coordinator, Cloud Gate 2 (Cloud Gate Culture and Arts Foundation)
2004Administrator, The Lan-Yang Dancers in Taipei
2002-2004Dancer at the “ Elisa Monte Dance” (New York)
2002Dancer at the “Thang Dao Dance Company” (New York)
1998-2000Dancer at the “Purchase Dance Corp” (New York)

TRAINING

1998-2002Purchase College, State University of New York Dance Conservatory
B.F.A. in Dance with Composition Concentration
Scholarship student 1998-2002
2001-2002Merce Cunningham Dance Studio, Scholarship student for the summer quarter
1999Martha Graham Contemporary Dance School, Scholarship student for the summer program
1996-1998Tsoying Senior High School Dance Division, Kaohsiung, Taiwan
1994-1996Lin-Ya Junior High school Dance Division, Kaohsiung, Taiwan

AWARDS & HONORS

2023-2024Selected as one of the members of the Mekong Cultural Hub 2024 Curated Conferences project
2002Chancellor’s Award for Student Excellent (The State University of New York)
2002Bert Terborgh Dance Award (Purchase College)

MEDIA

2003KI International Furniture Design Company (Work with Lois Greenfield)

CHOREOGRAPHY & PERFORMANCE EXPERIENCE

2024Created Locus premiered at Black Box of National Taichung Theater in Taichung City and later toured to the Paint Shop of National Kaohsiung Center for the Arts.
Created and Performed Possibility of Presence (Work in Progress) at 2024 Spring Riot (Organized by Cloud Gate Dance Theatre of Taiwan)
Co-created and Performed Sketch Series 1- The Near Elsewhere, in the Geography of Seeing and Not Seeing at 2024 Want to Dance Festival
2023Performed Soul of P (Daily Production Dance Company) at 2023 Next Open Show Festival
2022Created and Performed Welcome to My Dance Floor
The work premiered in the 2022 We Island Dance Festival: Shulin Jump at Shulin Arts Center
2004Performed at The Joyce Theater, NY (Elisa Monte Dance)
Performed at Kaatsbaan Theater, NY (Elisa Monte Dance)
Performed at The Egg Theater, Albany, NY (Elisa Monte Dance)
2003Performed in DANCERS RESPONDING TO AIDS, New York (Elisa Monte Dance)
Performed at Tsai Theater with Thang Dao Dance Company in Boston, MA
Performed at Catskill Mountain Foundation, Catskill, New York, American Theater, Kaatsbaan, New York. Nazareth College Arts Center, Rochester, New York, Hampton Art Theater, Hampton, New York (Elisa Monte Dance)
Performed at The Joyce Theater, New York Season with Elisa Monte Dance
Performed at Benefit of Craft Museum of New York (Elisa Monte Dance)
Performed at Lake Placid Center for the Arts (Three-week Residency; Elisa Monte Dance)
Performed at APAP Showcase (Elisa Monte Dance)
2002Performed with Elisa Monte Dance at the Remember Project, Dancers Responding to AIDS at St. Mark’s Church, New York
Performed in the Ponec Theater in Prague, Czech Republic; Slovak National Opera Theater, Bratislava, Slovak and World Financial Center, New York with Elisa Monte Dance
Performed excerpts from “Legacy” by Lin Hwai-Min (Founder of Cloud Gate Dance Theater of Taiwan) in Global Dance 2002, Dusseldorf, Germany. (Purchase Dance Corps)
“Possession” choreographed by Doug Verone (artistic director of Doug Verone and Dancers), performed by Purchase Dance Corps
2001Excerpts from “Psalm” choreographed by Jose Limon, directed by Sarah Stackhouse, performed as Soloist in Purchase Dance Corps
“Grand Duo” choreographed by Mark Morris, staged by Megan Williams performed as Soloist in Purchase Dance Corps
2001“Les Enfants Terribles” choreographed by Ayako Kurakake, performed in American Dance Guild Festival
2001“Behind Resonance” choreographed by Shen Wei (artistic director of Shen Wei Dance Art), performed by Purchase Dance Corps           
2000“Story” choreographed by Neil Greenberg, performed by Purchase Dance Corps
1999Performed in “Nutcracker ” directed by Kazuko Hirabayashi, performed by Purchase Dance Corps
“Wien” choreographed by Pascal Rioult (artistic director of Pascal Rioult Dance Company), performed by Purchase Dance Corps
1998Performed as Arabian in “Nutcracker ” choreographed by Kevin Wynn, performed by Purchase Dance Corps
1997Performed in the 12th Annual Asia Pacific International Dance Events and International Dance Conference
Dance Collection 1997- Australia and Taiwan Dancing Together

陳鈺分 Yu-Fen CHEN

陳鈺分 Yu-Fen CHEN

團長 | 舞台設計 | 製作人

台中后里人。
現任雙人創作組合「藝術報國 Ars Association」團長、「表演藝術聯盟(PAA)」理事，從事設計、創作與製作。

畢業於東海大學景觀學系，受環境分析、空間、植栽、視覺設計等訓練。

曾服務於景觀事務所、政府機關、大型集團及場館，跨足專案管理、企劃與設計研發工作經歷，曾負責景觀設計、空間及展覽規劃、品牌識別、商品設計、大型賽事籌辦等多元產業領域。

長期關注古典音樂及舞蹈，於2021年與藝術家陳柏潔共同創立「藝術報國 Ars Association」，並投入劇場設計，以設計、肢體及策展向世界發聲。近期作品為2022年《艾拉—第一次造訪》，為藝術報國、衛武營馬戲平台、雲林國際偶戲節及鐵玫瑰藝術節等4單位共同合作。2024年與編舞家陳柏潔共同創作的速寫系列1 《近他方，在見與不見的地理》（The Near Elsewhere, in the Geography of Seeing and Not Seeing） ，於「2024艋舺國際舞蹈節」發表及演出，2024擔任編舞家陳柏潔作品《發現之地》(Locus)之空間設計。同年獲選為屏東大成藝術實驗小學「2024大地藝術節」駐村藝術家，並創作「微觀地平線」視覺暨裝置作品。

Yu-Fen CHEN
Director｜Stage Designer｜Producer

Yu-Fen CHEN is a designer, producer and art maker.

She graduated from the Landscape Architecture Department of Tunghai University, trained in skills as environmental analysis, space design, plant design and visual design.

Her professional experience spans the field of landscape, space and exhibition design, brand identity and product design, project and event management and during her works in various industries, including landscape architecture firm, government institutions, listed company and culture venues.

CHEN is a long-term observer and supporter of classical music and dance. In 2021, she co-founded “Ars Association” with artist Po-Chieh CHEN. From 2021, she engaged to stage design, attempted to link the world through design, performing arts, and curation.

Her recent artistic creation is the puppet design of Ayla – The First Visit (2022, co-production of Ars Association, 2022 Weiwuying Circus Platform, 2022 Taoyuan Iron Rose Festival, and 2022 Yunlin International Puppet Theater Festival). As the performer The Near Elsewhere, in the Geography of Seeing and Not Seeing. And as the stage design of the production Locus, choreographed by Po-Chieh CHEN.

攝影 / 林科呈

學歷

2005東海大學景觀學系
2000臺中女中

參展 / 設計 / 執行經驗

2024屏東大成藝術實驗小學「2024大地藝術節」駐村藝術家
2024藝術報國《發現之地》空間設計(雷射)
2024同毗文化企業標準字設計
2024日日製作《落濁》標準字設計
2024微光製造《人之島》標準字設計
2024苗栗店仔藝穗節標準字、主視覺設計
20232023桃園兒童藝術節 – 視覺統籌
2023聚思製造端 Thinkers’ Studio 標準字設計
2022艾拉AYLA – 戲偶設計、道具設計、日記圖文設計
2022藝術報國- 賀歲春聯手寫設計
2021藝術報國- 開幕紀念商品設計及製作
2021藝術報國基地-室內空間設計與監造
2020藝術報國-LOGO標準字及品牌識別設計
2017~2022臺中國家歌劇院 -超過百項商品企畫、開發與銷售，代表案例：

「12星座藝術家格言包」企劃
「每個人心中都有一座劇場」文案暨手寫字
「每個人心中都有一座劇場」馬克杯設計
「Pinkoi NTT GIFT SHOP」品牌旗艦館營運
「建築磁鐵」造型輔助設計
「伊東豊雄原創設計-歌劇院1/1500建築模型」商品跨國開發
「伊東豊雄原創設計-側包」商品跨國開發
「一個美國人在巴黎 An American in Paris」音樂劇商品跨國開發
「NTT」馬克杯設計
「STAFF」、「CREW」 「Volunteer」、「NTT」系列T-shirt設計
「指揮家鉛筆」商品設計
「Moleskine導演筆記本」商品設計
2016臺中國家歌劇院  -全館指標系統規劃二三四期專案

2013~2014廣東肇慶 XFAN集團 花海節規劃與種植
廣東肇慶 XFAN集團 瑞世界基地櫻花林採購與移植工程
廣東肇慶 XFAN集團 風車節策展執行
廣東肇慶 XFAN集團 風車節基地整地工程
廣東肇慶 XFAN集團 瑞世界渡假村前期規劃(四季植栽)
2008~20132010 臺北國際花卉博覽會-國際戶外庭園競賽
2010 臺北國際花卉博覽會-外國參展物進口通關檢疫物流專案
2010 臺北國際花卉博覽會-洲際盃花藝競賽
2010 臺北國際花卉博覽會-全國盃花藝競賽
2010 臺北國際花卉博覽會-大佳河濱公園花圃造園競賽
2010 臺北國際花卉博覽會-農業科技大展前期提案
2010 臺北國際花卉博覽會-紅火蟻、樹木褐根病防治專案
花博公園季節養護與零星工程
2008商周出版社-牛奶、謊言與內幕封面及附冊設計
2003東海大學『Fun肆』四系校園裝置藝術聯展
2002『教育部校園創意空間甄選大賽』佳作
2001『清境一夏』高山藝術季裝置聯展

教學經歷

2021臺中市澴宇蒙特梭利實驗教育機構-
商品開發二三事
LOGO設計實作
包裝設計的第一步